Phip says:
Carl,
I just bought the album on bandcamp this morning. Been listening to it with my morning coffee and it's fantastic. The fidelity is wonderful. It feels good to support a friend by making a purchase, and it was worth much more than i paid!
Tell us a little something about the band and some tales about the sessions please.
Steve
Cool! + Thanks Bro!
I Just finished teaching for the day - a bit wiped - but for now(Mo' Later) :
The band on this recording =
Scott Davis - Fretless and Fretted Basses, some vocals and a great help with these (short) arrangements, also some Lap Steel and percussion.
Mike Armstrong - (68) Fender B-Bender(Tele) & (67) Rickenbacker 12-string elec-gits, Drums, Vocals
Me - Songs, Vocals, Martin Acoustic and Fender Tele Elec and some percussion
Bobby Alexander (our Drummer) played on a few but we (seriously) don't remember which! (lo)
we recorded this over way to long a time at Mikes studio 'Lost & Found' using a seriously wicked Toft 24 Channel analog (tube) board and an Alesis HD-24 Hard Disc Recorder. We used only Compression and verb, no other FX, via outboard racks. I mastered it here at MY studio.
The sessions were a blast... still are actually, as we just keep recording ... but i think the next one will be done in a week or so of long hours rather than (what we did) recording for 4-hrs a week and mixing in 3 loooong days(followed btw "tweak-mixing", later lol)
Scott and Mike would grab a groove to my acoustic and we'd record THAT , at times my guitar would creep into the room-Mic , but it sounded fine when mixed with the next step, my acoustic track. then either/or Mike and/or I would lay down an electric rhythm (him always in another voicing) and then a lead vocal, if possible. Mike would then add his "Bender" and/or 12 string Rickenbacker stuff and i'd go lay my "real" electric over that "bed" .. also solo's - back vocals - percussion - etc , maybe re-do the acoustic, change the vocal, but we'd micro-mixed this via Mike tweaking knobs at L&F for 6 hrs a day!
(more later)
and on the Mix front. that was Mike and Me .. we spent about 24 man-hours mixing .. and i , of course Mastered the sucker. At first listen i thought it was too treble-y, but Mike was insistent on that and i was just going with it, later finding that Mike knew the room well enough to know that the treble stuff would translate warmly on MY gear with MY monitors, he was right. He wanted what i wanted , sorta a Hank Williams-CCR-Neil Young-13th Floor Elevators - Byrds sound (and Graham Parsons!) shoved through a garage-bands redneck hands and mouths ... psycho-Country Hillbilly RAWK! by God!
it was a blast ... I will tell more Suh!
and will plop some Pix!
RAWK!
Cs
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