blackholesun | 4 Apr 2007 08:30 | Quote> |
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hey i saw on your profile page that you can't get the style of grunge or funk very well, I duno if you've improved since you wrote it, but i thought i'd just explain it to you incase you, or anyone else, didnt know. I'll start with Grunge. The best place to start learning how to play grunge i think is by listening to and playing songs by nirvana. im not a massive nirvana fan myself, but their songs are good examples of grunge and are really easy to play. An important thing to include in a grunge-style song is chromatic harmony, rather than diatonic harmony. Instead of using chords built from major or minor scales, start with a chord, say Em (most grunge songs are in a minor key), and write a progression, without caring too much about choosing chords from Em. A good example of this is the verse progression of "In Bloom" by Nirvana. Using chords from outside a scale can sound weird and wrong at first, but it does make the music more suprising and unsettling. Another technique used is a power chord, with the 5th in the bass. For example, using D5:
This creates a more unsettling sound as well, which is central to the grunge style. A typical chord progression could look something like this: D5/A, A5, G5, C#5/G# Play it with a mixture of 8th and 16th notes. As for soloing, your choice of scale is as much a lottery as the chord progression. Stick to minor scales though - major scales are very rarely used in grunge, with the rare exception of a few Alice In Chains acoustic songs, such as "No Excuses". Now on to funk... Many funk songs are formed from just one or two chords repeated for a long time, often 7th or 9th chords. Instead of playing these chords as full open or barre chords, funk guitarists (in a similar way to ska and reggae guitarists) use almost exclusively the highest 3 strings for their rhythm playing. To get a funk rhythm, start off with a bar divided into 8 notes: 1 + 2 + 3 + 4 + If you divided these notes in half, you would have 16 16th notes. A typical rhythm is marked out underneath (the Os). The Xs refer to muted strums. You still strum these notes, but you mute the strings using your left hand, so that just a percussive click is made. The muted strums are what gives funk the groove, and by keeping your hand moving, it keeps you in time. You'll probably want to start off at around 80 BPM initially to get the hang of it. 1 e + e 2 e + e 3 e + e 4 e + e 0 0 x x 0 0 x x 0 x x 0 x 0 x x For funk riffs, use the min7th to root interval. I tabbed out something like that in a post a long time ago... http://www.all-guitar-chords.com/topic.php?id=337. Countless riffs have been made by using the minor pentatonic scale. You don't really get guitar solos in funk much, more often than not a sax or a trumpet will take over lead duties. this doesnt mean that the guitar isnt important, it just means that the guitarist has to find their place and fit in, rather than driving the show. If you want to solo, then the minor pentatonic scale, the dorian mode, or even the bebop scale (mixolydian with an added maj7th) works well, such as the solo in Hilikus by Incubus. Hope this helps. :) |