Joined: 04 Jan 2007 United Kingdom Licks: 1 Karma: 11 Moderator
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when soloing using a weird scale though, its best to play over just a stationary chord, as the scales can sound very out of place over a chord progression. harmonise the scales by adding the 3rd and 5th above each note, for example in D major:
D E F# G A B C#
F# G A B C# D E
A B C# D E F# G
D Em F#m G A Bm C#dim
You can also add the 7th as well to get Dmaj7, Em7, F#m7, Gmaj7, A7, Bm7 and C#m7/-5 (the 7th is a m7, but the 5th is a dim5, this chord is also called C# half diminished)
D major is pretty boring though. If we took the D Phrygian Dominant Scale (which is the 5th mode of the harmonic minor scale), then you get more ususual chords, and a progression using these chords would sound quite weird, which can be good at times, but it depends on the effect you wanna have.
The D phrygian dominant goes like so, and it has a somewhat Spanish feel to it, which is why its also known as the "Spanish Scale"
D, Eb, F#, G, A, Bb, C, D
Harmonising these notes produces Dmaj, Ebmin, F#dim, Gmin, Adim, Bbaug and Cmin, which arent exactly what you find in most chord progressions, but by playing over the Dmaj tonic (I) chord, it works well.
Also use these new unusual scales to create interesting riffs. Makes a refreshing change to just the minor pentatonic. :)
Hope this helps, sorry if I was explaining stuff to much or too little for you. |